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Portico Bowman
Author Profile
S. Portico Bowman

S. Portico Bowman’s Would You Give Up Arms For Wings? A story inspired by the visionary life & writings of Paulus Berensohn was a finalist for the AWP (Association of Writers & Writing Programs) Sue William Silverman Prize for Creative Nonfiction. The manuscript creation received generous support and two grants from the Canada Council for the Arts. The work will be published as a handmade coptic stitch limited edition of 125 books.

Bowman has written over forty essays in national and international publications such as Studio Potter, Sculpture Magazine, Art Papers, and Ceramics: Art & Perception about artists such as Shinichi Kotsuji, Jun Kaneko, Colby Parsons, and Cary Esser. She currently devotes her writing practice toward the vision of the Michelangelo Foundation for Creativity & Craftsmanship as a regular contributor to the Homo Faber Guide. 

website

Articles

Shinichi Kotsuji bowls
Shinichi Kotsuji: Blue is the Particle & Love is the Wave
By S. Portico Bowman
Instead, I rejoice and drink from a vessel so wholly in rebellion to the rules of ceramic ware production and practice; I am released from the pressure of perfection into a primal sensory memory now cupped in my hand.
This month's FREE article.
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Craft Is the Emergency Relief: Safeguard That!
By S. Portico Bowman
The relief that we receive from our craft is the relief we offer to our present tense and historical future in studio settings and mindsets that invite the fragile society around us to join. Dreary from days driven by computers and data and speed, we offer the example of our life augmented and sustained by the “need to touch what is touching us.” Safeguard what you are. The craft arts must continue to be the relief from the emergency of our times. History will safeguard the truth that what we create as craft artists is first aid.
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Roberto Gomez
Roberto Gomez: The Immortal Appetite
By S. Portico Bowman
Like the clown’s red nose, Gomez wants the viewers’ attention right between our bloodshot eyes or between our legs, where we hide our fear, our folly, and our deepest longings. The fool, looking not very holy, isn’t posing as Gomez. This naked fool is me, and if you’re willing to agree, it’s you.
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